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Golden Globes 2023: Indian film RRR Scores Nomination & complete nomination list


𝐍𝐞𝐰 𝐃𝐞𝐥𝐡𝐢: The global domination of RRR continues with an entry into serious Hollywood awards season. The SS Rajamouli-directed period movie has been nominated in two categories at the Golden Globe Awards to be held in January - Best Non-English Language Film and Best Original Song for Naatu Naatu which has taken on a life of its own. RRR, based on the lives of real-life revolutionaries Komaram Bheem and Alluri Sitarama Raju, has become a sensation around the world, finding fans among international audiences. RRR stars Ram Charan and Jr NTR as Raju and Bheem. Alia Bhatt, Ajay Devgn and Shriya Saran co-star as do British actors Ray Stevenson and Alison Doody.
“The Banshees of Inisherin, ” a darkly ridiculous story of a shattered fellowship set against the background of the Irish civil war, led the nominations for the 2023 Golden Globes. It scored eight nominations, including bones
 for stylish picture in the musical or comedy kidney, as well as for Martin McDonagh’s commanding and script. 


 
𝐩𝐨𝐩𝐨𝐥𝐚𝐫 𝐨𝐧 𝐯𝐚𝐫𝐢𝐞𝐭𝐲:

 “ The Banshees of Inisherin ” was followed nearly before by “ Everything far and wide All At formerly, ” an innovative sci- fi story that unfolds through metaverses, which scored six nominations. “ The Fabelmans, ” Steven Spielberg’ssemi-autobiographical look at his nonage; “ Babylon, ” a Rabelaisian look at Hollywood’s silent period; and “ Elvis, ” a biopic of the gemstone legend, each had five nominations. 
A many times agone, nominations for the Globes were seen as a crucial marker of awards season — a sign of who was over and who was down in the quest for Oscars and other glories. A steady sluice of dishonors and celebrity desertions has muted that impact, so it’s unclear how seriously Hollywood and its cabin assiduity of awards seers and strategists will take Monday’s advertisement. 
 
 Unlike the Oscars, the Globes separates slapsticks and adaptations from dramatizations, allowing the group to broaden its field of honorees. Dramatizations up for stylish picture include “ The Fabelmans ” and “ Elvis ”( not listed as a musical despite containing lots of music), as well as “ Tár, ” an indie about sexual importunity in classical music. There was also room for two blockbusters that theater possessors hope can deliver the embattled exhibition business — “ Top Gun Maverick ” and “ Avatar The Way of Water. ” 

Best comedy or musical will be a fight between “The Banshees of Inisherin,” “Babylon,” “Everything Everywhere All At Once,” “Triangle of Sadness” and “Glass Onion: A Knives Out Mystery.”

“Abbott Elementary,” a sitcom about the teachers and students in a Philadelphia public school, earned the most nominations of any TV show with five. Those included nods for best television series — musical or comedy, as well as for creatorQuinta Brunson’s lead performance.

Five shows — “The White Lotus,” “Dahmer,” “The Crown,” “Pam and Tommy” and “Only Murders in the Building” — scored four nominations apiece. “The Crown” is one of five shows nominated for best TV series — drama, joining veterans such as “Better Call Saul” and “Ozark,” as well as two new watercooler hits, “House of the Dragon” and “Severence.”

To capture the best TV comedy prize, “Abbott Elementary” will need to fend off “Only Murders in the Building,” “Hacks,” and two new shows that have established passionate fanbases, “The Bear,” a dramedy set in the culinary world, and “Wednesday,” a spinoff of “The Addams Family” that has become a megahit for Netflix.

There were some notable snubs and surprises. Will Smith, whose reputation has been damaged after he assaulted Chris Rock during the Oscars telecast, failed to earn a nomination for his work in “Emancipation.” Amazon’s sprawling and expensive “Lord of the Rings: The Rings of Power” also failed to earn a single nomination.

But the big headline is that in a year when female auteurs such as Sarah Polley (“Women Talking”) and Gina Prince-Bythewood (“The Woman King”) created some of the most critically acclaimed films, the best director category was entirely comprised of men. Spielberg and McDonagh will vie for the directing trophy against Baz Luhrmann (“Elvis”),Daniel Scheinert and Daniel Kwan (“Everything Everywhere All at Once”) and James Cameron (“Avatar: The Way of Water”).

For years, the Globes had seemed like the hipper, boozier cousin of the Oscars, a telecast where anything — from winners missing their awards because they were stuck in the bathroom, to well-lubricated acceptance speeches1 — could happen, and often did. But it’s been a rough go for the Globes and theHollywood Foreign Press Association, the insular organization of journalists behind the awards, which have seen their reputations tarnished.The nominations come as the Globes are attempting to reinvent themselves, having been dogged by scandals that pushed the awards show to the brink of obsolescence. The 2022 broadcast on NBC was cancelled in the fallout from a report by the Los Angeles Times on the ethical lapses of the HFPA. Particularly damaging was the revelation that none of the group’s 87 members were Black. In the wake of the report, stars steered clear of the group’s events and their publicists threatened a boycott unless reforms were undertaken.

In response, the HFPA has worked to improve the diversity of its membership, adding 21 new journalists, while also strengthening its ethical rules to bar voters from accepting gifts from the studios on the prowl for awards. The group also added 103 voters, who are not members. The Globes say that more than 10% of voters are now Black.

There’s also a deal in place to sell the Globes to Eldridge Industries, which is owned by Todd Boehly, the owner of the ceremony’s producer, Dick Clark Productions. The Globes will operate as a for-profit enterprise, but will have a charitable and philanthropic arm.

The show will once again air on NBC, which is bringing the broadcast back on a one-year trial basis. Stand-up comic Jerrod Carmichael will serve as the show’s host. It will be back in person, though it lost its prime Sunday night slot and will instead air on Tuesday, Jan. 10, on NBC and Peacock.

If the Globes can boost interest in the movies up for awards, it can show the power of its broadcast. Many of this year’s top contenders, from Steven Spielberg’s “The Fabelmans” to “The Banshees of Inisherin,” have barely registered at the box office.

But questions remain. Brendan Fraser, up for best actor for “The Whale,” has signaled he will not attend the show. The actor previously accused former HFPA head Philip Berk of groping him — Berk said he was joking and denied the allegations.

“I have more history with the Hollywood Foreign Press Association than I have respect for the Hollywood Foreign Press Association,” Fraser told GQ in a recent cover story. “No, I will not participate… It’s because of the history that I have with them. And my mother didn’t raise a hypocrite. You can call me a lot of things, but not that.”

𝐌𝐚𝐲𝐚𝐧 𝐋𝐨𝐩𝐞𝐳 𝐚𝐧𝐝 𝐒𝐞𝐥𝐞𝐧𝐢𝐬 𝐋𝐞𝐯𝐲𝐚 𝐚𝐧𝐧𝐨𝐮𝐧𝐜𝐞𝐝 𝐭𝐡𝐞 𝐆𝐨𝐥𝐝𝐞𝐧 𝐆𝐥𝐨𝐛𝐞 𝐧𝐨𝐦𝐢𝐧𝐞𝐞𝐬 𝐌𝐨𝐧𝐝𝐚𝐲

See the full list of nominees below.

𝐁𝐞𝐬𝐭 𝐌𝐨𝐭𝐢𝐨𝐧 𝐏𝐢𝐜𝐭𝐮𝐫𝐞, 𝐃𝐫𝐚𝐦𝐚

“Avatar: The Way of Water” (20th Century Studio)
“Elvis” (Warner Bros.) 

“The Fabelmans” (Universal Pictures) 

“Tár” (Focus Features) 

“Top Gun: Maverick” (Paramount Pictures)

𝐁𝐞𝐬𝐭 𝐏𝐢𝐜𝐭𝐮𝐫𝐞, 𝐌𝐮𝐬𝐢𝐜𝐚𝐥 𝐨𝐫 𝐂𝐨𝐦𝐞𝐝𝐲

“Babylon” (Paramount Pictures) 

“The Banshees of Inisherin” (Searchlight Pictures) 

“Everything Everywhere All at Once” (A24) 

“Glass Onion: A Knives Out Mystery” (Netflix) 

“Triangle of Sadness” (Neon) 

𝐁𝐞𝐬𝐭 𝐃𝐢𝐫𝐞𝐜𝐭𝐨𝐫, 𝐌𝐨𝐭𝐢𝐨𝐧 𝐏𝐢𝐜𝐭𝐮𝐫𝐞

James Cameron (“Avatar: The Way of Water”) 

Daniel Kwan, Daniel Scheinert (“Everything Everywhere All at Once”) 

Baz Luhrmann (“Elvis”) 

Martin McDonagh (“The Banshees of Inisherin”) 

Steven Spielberg (“The Fabelmans”)

𝐁𝐞𝐬𝐭 𝐒𝐜𝐫𝐞𝐞𝐧𝐩𝐥𝐚𝐲, 𝐌𝐨𝐭𝐢𝐨𝐧 𝐏𝐢𝐜𝐭𝐮𝐫𝐞

“Tár” (Focus Features) — Todd Field 

“Everything Everywhere All at Once” (A24) — Daniel Kwan, Daniel Scheinert 

“The Banshees of Inisherin” (Searchlight Pictures) — Martin McDonagh 

“Women Talking” (MGM/United Artists Releasing) — Sarah Polley 

“The Fabelmans” (Universal Pictures) — Steven Spielberg, Tony Kushne


 𝐁𝐞𝐬𝐭 𝐏𝐞𝐫𝐟𝐨𝐫𝐦𝐚𝐧𝐜𝐞 𝐛𝐲 𝐚𝐧 𝐀𝐜𝐭𝐨𝐫 𝐢𝐧 𝐚 𝐌𝐨𝐭𝐢𝐨𝐧 𝐏𝐢𝐜𝐭𝐮𝐫𝐞, 𝐃𝐫𝐚𝐦𝐚
Austin Butler (“Elvis”) 

Brendan Fraser (“The Whale”) 

Hugh Jackman (“The Son”)

Bill Nighy (“Living”) 

Jeremy Pope (“The Inspection”) 

 𝐁𝐞𝐬𝐭 𝐏𝐞𝐫𝐟𝐨𝐫𝐦𝐚𝐧𝐜𝐞 𝐛𝐲 𝐚𝐧 𝐀𝐜𝐭𝐫𝐞𝐬𝐬 𝐢𝐧 𝐚 𝐌𝐨𝐭𝐢𝐨𝐧 𝐏𝐢𝐜𝐭𝐮𝐫𝐞, 𝐃𝐫𝐚𝐦𝐚

Cate Blanchett (“Tár”) 

Olivia Colman (“Empire of Light”) 

Viola Davis (“The Woman King”) 

Ana de Armas (“Blonde”) 

Michelle Williams (“The Fabelmans”)  

𝐁𝐞𝐬𝐭 𝐏𝐞𝐫𝐟𝐨𝐫𝐦𝐚𝐧𝐜𝐞 𝐛𝐲 𝐚𝐧 𝐀𝐜𝐭𝐫𝐞𝐬𝐬 𝐢𝐧 𝐚 𝐌𝐨𝐭𝐢𝐨𝐧 𝐏𝐢𝐜𝐭𝐮𝐫𝐞, 𝐌𝐮𝐬𝐢𝐜𝐚𝐥 𝐨𝐫 𝐂𝐨𝐦𝐞𝐝𝐲

Lesley Manville (“Mrs. Harris Goes to Paris”) 

Margot Robbie (“Babylon”) 

Anya Taylor-Joy (“The Menu”) 

Emma Thompson (“Good Luck to You, Leo Grande”) 

Michelle Yeoh (“Everything Everywhere All at Once”) 

𝐁𝐞𝐬𝐭 𝐏𝐞𝐫𝐟𝐨𝐫𝐦𝐚𝐧𝐜𝐞 𝐛𝐲 𝐚𝐧 𝐀𝐜𝐭𝐨𝐫 𝐢𝐧 𝐚 𝐌𝐨𝐭𝐢𝐨𝐧 𝐏𝐢𝐜𝐭𝐮𝐫𝐞, 𝐌𝐮𝐬𝐢𝐜𝐚𝐥 𝐨𝐫 𝐂𝐨𝐦𝐞𝐝𝐲

Diego Calva (“Babylon”) 

Daniel Craig (“Glass Onion: A Knives Out Mystery”)

Adam Driver (“White Noise”) 

Colin Farrell (“The Banshees of Inisherin”) 

Ralph Fiennes (“The Menu”) 

𝐁𝐞𝐬𝐭 𝐒𝐮𝐩𝐩𝐨𝐫𝐭𝐢𝐧𝐠 𝐀𝐜𝐭𝐨𝐫, 𝐌𝐨𝐭𝐢𝐨𝐧 𝐏𝐢𝐜𝐭𝐮𝐫𝐞

Brendan Gleeson (“The Banshees of Inisherin”) 

Barry Keoghan (“The Banshees of Inisherin”) 

Brad Pitt (“Babylon”)

Ke Huy Quan (“Everything Everywhere All at Once”) 

Eddie Redmayne (“The Good Nurse”)

𝐁𝐞𝐬𝐭 𝐒𝐮𝐩𝐩𝐨𝐫𝐭𝐢𝐧𝐠 𝐀𝐜𝐭𝐫𝐞𝐬𝐬, 𝐌𝐨𝐭𝐢𝐨𝐧 𝐏𝐢𝐜𝐭𝐮𝐫𝐞

Angela Bassett (“Black Panther: Wakanda Forever”) 

Kerry Condon (“The Banshees of Inisherin”) 

Jamie Lee Curtis (“Everything Everywhere All at Once”) 

Dolly De Leon (“Triangle of Sadness”)

Carey Mulligan (“She Said”)

𝐁𝐞𝐬𝐭 𝐓𝐞𝐥𝐞𝐯𝐢𝐬𝐢𝐨𝐧 𝐒𝐞𝐫𝐢𝐞𝐬, 𝐃𝐫𝐚𝐦𝐚

“Better Call Saul” (AMC) 

“The Crown” (Netflix) 

“House of the Dragon” (HBO) 

“Ozark” (Netflix) 

“Severance” (Apple TV+) 

𝐁𝐞𝐬𝐭 𝐓𝐞𝐥𝐞𝐯𝐢𝐬𝐢𝐨𝐧 𝐒𝐞𝐫𝐢𝐞𝐬, 𝐌𝐮𝐬𝐢𝐜𝐚𝐥 𝐨𝐫 𝐂𝐨𝐦𝐞𝐝𝐲

“Abbott Elementary” (ABC) 

“The Bear” (FX)

“Hacks” (HBO Max)

“Only Murders in the Building” (Hulu) 

“Wednesday” (Netflix) 

𝐁𝐞𝐬𝐭 𝐏𝐞𝐫𝐟𝐨𝐫𝐦𝐚𝐧𝐜𝐞 𝐛𝐲 𝐚𝐧 𝐀𝐜𝐭𝐨𝐫 𝐢𝐧 𝐚 𝐓𝐞𝐥𝐞𝐯𝐢𝐬𝐢𝐨𝐧 𝐒𝐞𝐫𝐢𝐞𝐬, 𝐃𝐫𝐚𝐦𝐚

Jeff Bridges (“The Old Man”) 

Kevin Costner (“Yellowstone”)

Diego Luna (“Andor”)

Bob Odenkirk (“Better Call Saul”)

Adam Scott (“Severance”)

𝐁𝐞𝐬𝐭 𝐏𝐞𝐫𝐟𝐨𝐫𝐦𝐚𝐧𝐜𝐞 𝐛𝐲 𝐚𝐧 𝐀𝐜𝐭𝐫𝐞𝐬𝐬 𝐢𝐧 𝐚 𝐓𝐞𝐥𝐞𝐯𝐢𝐬𝐢𝐨𝐧 𝐒𝐞𝐫𝐢𝐞𝐬, 𝐃𝐫𝐚𝐦𝐚

Emma D’Arcy (“House of the Dragon”) 

Laura Linney (“Ozark”) 

Imelda Staunton (“The Crown”)

Hilary Swank (“Alaska Daily”)

Zendaya (“Euphoria”)

𝐁𝐞𝐬𝐭 𝐀𝐜𝐭𝐫𝐞𝐬𝐬 𝐢𝐧 𝐚 𝐓𝐕 𝐒𝐞𝐫𝐢𝐞𝐬, 𝐌𝐮𝐬𝐢𝐜𝐚𝐥 𝐨𝐫 𝐂𝐨𝐦𝐞𝐝𝐲

Quinta Brunson (“Abbott Elementary”) 

Kaley Cuoco (“The Flight Attendant”) 

Selena Gomez (“Only Murders in the Building”) 

Jenna Ortega (“Wednesday”) 

Jean Smart (“Hacks”) 

𝐁𝐞𝐬𝐭 𝐀𝐜𝐭𝐨𝐫 𝐢𝐧 𝐚 𝐓𝐕 𝐒𝐞𝐫𝐢𝐞𝐬, 𝐌𝐮𝐬𝐢𝐜𝐚𝐥 𝐨𝐫 𝐂𝐨𝐦𝐞𝐝𝐲

Donald Glover (“Atlanta”) 

Bill Hader (“Barry”) 

Steve Martin (“Only Murders in the Building”) 

Martin Short (“Only Murders in the Building”) 

Jeremy Allen White (“The Bear”) 

𝐁𝐞𝐬𝐭 𝐒𝐮𝐩𝐩𝐨𝐫𝐭𝐢𝐧𝐠 𝐀𝐜𝐭𝐨𝐫, 𝐓𝐞𝐥𝐞𝐯𝐢𝐬𝐢𝐨𝐧

John Lithgow (“The Old Man”) 

Jonathan Pryce (“The Crown”) 

John Turturro (“Severance”) 

Tyler James Williams (“Abbott Elementary”) 

Henry Winkler (“Barry”)

𝐁𝐞𝐬𝐭 𝐒𝐮𝐩𝐩𝐨𝐫𝐭𝐢𝐧𝐠 𝐀𝐜𝐭𝐫𝐞𝐬𝐬, 𝐓𝐞𝐥𝐞𝐯𝐢𝐬𝐢𝐨𝐧

Elizabeth Debicki (“The Crown”) 

Hannah Einbinder (“Hacks”) 

Julia Garner (“Ozark”) 

Janelle James (“Abbott Elementary”) 

Sheryl Lee Ralph (“Abbott Elementary”) 

𝐁𝐞𝐬𝐭 𝐋𝐢𝐦𝐢𝐭𝐞𝐝 𝐒𝐞𝐫𝐢𝐞𝐬, 𝐀𝐧𝐭𝐡𝐨𝐥𝐨𝐠𝐲 𝐒𝐞𝐫𝐢𝐞𝐬 𝐨𝐫 𝐚 𝐌𝐨𝐭𝐢𝐨𝐧 𝐏𝐢𝐜𝐭𝐮𝐫𝐞 𝐦𝐚𝐝𝐞 𝐟𝐨𝐫 𝐓𝐞𝐥𝐞𝐯𝐢𝐬𝐢𝐨𝐧


“Black Bird” (Apple TV+) 

“Monster: The Jeffrey Dahmer Story” (Netflix) 

“The Dropout” (Hulu) 

“Pam & Tommy” (Hulu) 

“The White Lotus” (HBO) 

𝐁𝐞𝐬𝐭 𝐏𝐞𝐫𝐟𝐨𝐫𝐦𝐚𝐧𝐜𝐞 𝐛𝐲 𝐚𝐧 𝐀𝐜𝐭𝐨𝐫 𝐋𝐢𝐦𝐢𝐭𝐞𝐝 𝐒𝐞𝐫𝐢𝐞𝐬, 𝐀𝐧𝐭𝐡𝐨𝐥𝐨𝐠𝐲 𝐒𝐞𝐫𝐢𝐞𝐬 𝐨𝐫 𝐚 𝐌𝐨𝐭𝐢𝐨𝐧 𝐏𝐢𝐜𝐭𝐮𝐫𝐞 𝐦𝐚𝐝𝐞 𝐟𝐨𝐫 𝐓𝐞𝐥𝐞𝐯𝐢𝐬𝐢𝐨𝐧

Taron Egerton (“Black Bird”) 

Colin Firth (“The Staircase”) 

Andrew Garfield (“Under the Banner of Heaven”) 

Evan Peters (“Monster: The Jeffrey Dahmer Story”) 

Sebastian Stan (“Pam & Tommy”) 

𝐁𝐞𝐬𝐭 𝐏𝐞𝐫𝐟𝐨𝐫𝐦𝐚𝐧𝐜𝐞 𝐛𝐲 𝐚𝐧 𝐀𝐜𝐭𝐫𝐞𝐬𝐬 𝐋𝐢𝐦𝐢𝐭𝐞𝐝 𝐒𝐞𝐫𝐢𝐞𝐬, 𝐀𝐧𝐭𝐡𝐨𝐥𝐨𝐠𝐲 𝐒𝐞𝐫𝐢𝐞𝐬 𝐨𝐫 𝐚 𝐌𝐨𝐭𝐢𝐨𝐧 𝐏𝐢𝐜𝐭𝐮𝐫𝐞 𝐦𝐚𝐝𝐞 𝐟𝐨𝐫 𝐓𝐞𝐥𝐞𝐯𝐢𝐬𝐢𝐨𝐧

Jessica Chastain (“George and Tammy”) 

Julia Garner (“Inventing Anna”) 


Lily James (“Pam & Tommy”) 

Julia Roberts (“Gaslit”) 

Amanda Seyfried (“The Dropout”) 

𝐁𝐞𝐬𝐭 𝐏𝐞𝐫𝐟𝐨𝐫𝐦𝐚𝐧𝐜𝐞 𝐛𝐲 𝐚𝐧 𝐀𝐜𝐭𝐫𝐞𝐬𝐬 𝐢𝐧 𝐒𝐮𝐩𝐩𝐨𝐫𝐭𝐢𝐧𝐠 𝐑𝐨𝐥𝐞, 𝐋𝐢𝐦𝐢𝐭𝐞𝐝 𝐒𝐞𝐫𝐢𝐞𝐬, 𝐀𝐧𝐭𝐡𝐨𝐥𝐨𝐠𝐲 𝐒𝐞𝐫𝐢𝐞𝐬 𝐨𝐫 𝐚 𝐌𝐨𝐭𝐢𝐨𝐧 𝐏𝐢𝐜𝐭𝐮𝐫𝐞 𝐦𝐚𝐝𝐞 𝐟𝐨𝐫 𝐓𝐞𝐥𝐞𝐯𝐢𝐬𝐢𝐨𝐧

Jennifer Coolidge (“The White Lotus”) 

Claire Danes (“Fleishman Is in Trouble”) 

Daisy Edgar-Jones (“Under the Banner of Heaven”) 

Niecy Nash-Betts (“Monster: The Jeffrey Dahmer Story”) 

Aubrey Plaza (“The White Lotus”) 

𝐁𝐞𝐬𝐭 𝐏𝐞𝐫𝐟𝐨𝐫𝐦𝐚𝐧𝐜𝐞 𝐛𝐲 𝐚𝐧 𝐀𝐜𝐭𝐨𝐫 𝐢𝐧 𝐒𝐮𝐩𝐩𝐨𝐫𝐭𝐢𝐧𝐠 𝐑𝐨𝐥𝐞, 𝐋𝐢𝐦𝐢𝐭𝐞𝐝 𝐒𝐞𝐫𝐢𝐞𝐬, 𝐀𝐧𝐭𝐡𝐨𝐥𝐨𝐠𝐲 𝐒𝐞𝐫𝐢𝐞𝐬 𝐨𝐫 𝐚 𝐌𝐨𝐭𝐢𝐨𝐧 𝐏𝐢𝐜𝐭𝐮𝐫𝐞 𝐦𝐚𝐝𝐞 𝐟𝐨𝐫 𝐓𝐞𝐥𝐞𝐯𝐢𝐬𝐢𝐨𝐧

F. Murray Abraham (“The White Lotus”) 

Domhnall Gleeson (“The Patient”) 

Paul Walter Hauser (“Black Bird”) 

Richard Jenkins (“Monster: The Jeffrey Dahmer Story”) 

Seth Rogen (“Pam & Tommy”) 

𝐁𝐞𝐬𝐭 𝐎𝐫𝐢𝐠𝐢𝐧𝐚𝐥 𝐒𝐜𝐨𝐫𝐞, 𝐌𝐨𝐭𝐢𝐨𝐧 𝐏𝐢𝐜𝐭𝐮𝐫𝐞

“The Banshees of Inisherin” (Searchlight Pictures) — Carter Burwell

“Guillermo del Toro’s Pinocchio” (Netflix) — Alexandre Desplat 

“Women Talking” (MGM/United Artists Releasing) — Hildur Guðnadóttir 

“Babylon” (Paramount Pictures) — Justin Hurwitz 

“The Fabelmans” (Universal Pictures) — John Williams  

𝐁𝐞𝐬𝐭 𝐏𝐢𝐜𝐭𝐮𝐫𝐞, 𝐍𝐨𝐧-𝐄𝐧𝐠𝐥𝐢𝐬𝐡 𝐋𝐚𝐧𝐠𝐮𝐚𝐠𝐞

“All Quiet on the Western Front” (Germany) 

“Argentina, 1985” (Argentina) 

“Close” (Belgium) 

“Decision to Leave” (South Korea) 

“RRR” (India) 

𝐁𝐞𝐬𝐭 𝐎𝐫𝐢𝐠𝐢𝐧𝐚𝐥 𝐒𝐨𝐧𝐠, 𝐌𝐨𝐭𝐢𝐨𝐧 𝐏𝐢𝐜𝐭𝐮𝐫𝐞

“Carolina” from “Where the Crawdads Sing” (Sony Pictures) — Taylor Swift 

“Ciao Papa” from “Guillermo del Toro’s Pinocchio” (Netflix) — Roeben Katz, Guillermo del Toro 

“Hold My Hand” from “Top Gun: Maverick” (Paramount Pictures) — Lady Gaga, BloodPop 

“Lift Me Up” from “Black Panther: Wakanda Forever” (Marvel Studios) — Tems, Ludwig Göransson, Rihanna, Ryan Coogler 

“Naatu Naatu” from “RRR” (Variance Films) — Kala Bhairava, M. M. Keeravani, Rahul Sipligunj 

𝐁𝐞𝐬𝐭 𝐌𝐨𝐭𝐢𝐨𝐧 𝐏𝐢𝐜𝐭𝐮𝐫𝐞, 𝐀𝐧𝐢𝐦𝐚𝐭𝐞𝐝

“Guillermo del Toro’s Pinocchio” (Netflix) 

“Inu-Oh” (GKIDS) 

“Marcel the Shell With Shoes On” (A24) 

“Puss in Boots: The Last Wish” (DreamWorks Animation) 

“Turning Red” (Pixar) 

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